|
JANUARY 6 VHS HISTORY LEASON : CONTINENTAL VIDEO
The king of the big box videos. Continental Video (and it's sister label, Comet Video) unleased a slew of exploitation titles to the video public from 1981 to 1987. People who remember walking through the aisles of video stores during the early 80's couldn't help but notice Continental's big boxes on the shelves. Titles like SUICIDE CULT, CLASS REUNION MASSACRE, NIGHTMARE and ALIEN PREY lined the shelves and attracted renters due to the garish artwork and lurid tag lines. Continental went one further by releasing double features on tape, pairing down two features to 75 minutes each and releasing them on VHS. Double features like SLAYER/SCALPS, FROZEN SCREAM/EXECUTIONER II, SWEET SUGAR/ESCAPE FROM WOMEN'S PRISON and STUDENT BODY/JAILBAIT BABYSITTER were very popular with the public because you got two movies for one rental. Most Continental and Comet (who released the H.G. Lewis BLOOD trio for the first time on video in America) titles go for big bucks nowadays, especially in good condition, since most video stores cut the boxes up to fit them into plastic clamshell cases (stupid idiots!). Continental began distributing their later films in normal cardboard slipcases, as they were probably sick, too, that their product was getting cut up. Some of their later titles included DEADTIME STORIES, the bloody awful SOV fiasco MIAMI VENDETTA, BLOOD DEBTS, MARY, MARY, BLOODY MARY and ZOMBIE HIGH. Other Continental titles of note include John Water's FEMALE TROUBLE and DESPERATE LIVING, THE EMERALD JUNGLE, TERROR ON TAPE and BLOOD TIDE. { text from critcononline.com }
JANUARY 6 VHS HISTORY LEASON : INTERGLOBAL HOME VIDEO
Canadian budget label that crossed the U.S. border and flooded the market with affordable EP and LP (and the occasional SP) mode films. Their roster was quite ecclectic and they seemed to have the exclusive rights to many of the films. They released budget versions of action films (JAGUAR LIVES; COP IN BLUE JEANS), horror films (CASTLE OF THE WALKING DEAD; LEGEND OF THE WEREWOLF), thrillers (BLUE BLOOD; THE GRAVEYARD) and the just plain weird (LONG WEEKEND; GHOSTS THAT STILL WALK). While most of their tranfers were good for a budget label, Interglobal had the nasty habit of having the tape end before the film did, leaving the viewer to wonder how a film ended. This happened to me on at least three of Interglobal tapes; their version of LONG WEEKEND being cut-off at the 75 minute mark. I went back and exchanged the tape, but each one cut off at the same point in the film. It took me over three years to see a complete version of WEEKEND, as eBay didn't exist and the film wasn't available anywhere else. We are spoiled today. The 80's didn't offer us anything but refunds. { text from critcononline.com }
|
|