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SAMUS AND THE METROID BUSTERS VHS COVER - CREATED BY VHS WASTELAND
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SLAVE TRADE IN THE WORLD OF TODAY - SUBMITTED BY ELWOOD & JEN COLLIER
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SAVAGE WORLD
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IMAGINARY WORLD OF MUG DWELLERS & WEE FOLK - SUBMITTED BY WILLIAM BUCHTA
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MIDNIGHT CROSSING - SUBMITTED BY VESTRON DAN
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DARKMAN 2 THE RETURN OF DURANT : BEHIND THE SCENES
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UNDER THE RAINBOW - SUBMITTED BY ADAM BECVAR
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SINGIN IN MY SOUL - SUBMITTED BY ARCTICINFIDEL
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ABRAXAS : GUARDIAN OF THE UNIVERSE
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PUSS 'N BOOTS TRAVELS AROUND THE WORLD
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ROBOWAR
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RITUALS
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REVENGE OF THE DEAD
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PLAGA ZOMBIE
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SOMETHING SPECIAL : NIGHTMARE THE VHS BOARD GAME
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Nightmare is a video board game released in 1991 by A Couple 'A Cowboys and J. W. Spear & Sons as part of the Atmosfear series.
The game is set in a place known as "The Other Side". This place has six Harbingers, each of whom has authority over a Province. To play the game, each player adopts the persona of one of the Harbingers: Gevaudan the werewolf; Hellin the poltergeist; Khufu the mummy; Baron Samedi the zombie; Anne de Chantraine the witch, and Elizabeth Bathory the vampire. The final character in the game is the Gatekeeper, whose job is to ensure that the other characters do not escape from The Other Side.
Following the release of Nightmare, four game expansions were announced but only three were released. These include Nightmare II in 1992, Nightmare III in 1993 and Nightmare IV in 1994. The game's fourth expansion was going to be released in 1995, but faced with declining sales of the series, it was cancelled and replaced by The Harbingers.
GAMEPLAY: The game required 2–6 players to attempt to collect keys while trying to beat the clock included on the video. At random intervals the game would stop and The Gatekeeper would appear to either taunt, reward, or punish the players in a variety of ways. Prior to beginning the game the players are required to write their "greatest fear" on individual slips of paper. The game is won by collecting six special keys before making it to the center of the game board where the player would draw a 'fear'. If that player draws someone else's fear, the tape was stopped and that player declared the winner. If no one is able to accomplish this within 60 minutes, the Gatekeeper is declared the winner.
CHARACTERS: The six Harbingers in the game are: Gevaudan the werewolf; Hellin the poltergeist; Khufu the mummy; Baron Samedi the zombie; Anne de Chantraine the witch; and Elizabeth Bathory, the vampire. Each of the Harbingers is based on either a real person or a myth, except for Hellin. Hellin, "in hell" reversed, is the only Harbinger entirely created by Brett Clements. Hellin is also the only character with barely any background information, because Brett wanted players to use their own imagination for this character. Baron Samedi got his name from the ancient Arawak Indian God of the Dead. Anne de Chantraine is based on the first "official" witch who was burned at the stake. Elizabeth Bathory is based on a serial killer who is believed to have murdered and drunk the blood of about six hundred and fifty virgin girls. Khufu is based on an Fourth Dynasty Egyptian Pharaoh. Gevaudan is based around a man who was hunted by armies of people for supposedly carrying the sickness of lycanthropy.
The final character in the game is the Gatekeeper (played by Wenanty Nosul), whose job is to make sure the other characters cannot escape from The Other Side to the real world. The Gatekeeper's character is based on the old cemetery gatekeepers, whose job was to guard cemeteries from grave robbers.
DEVELOPMENT AND RECEPTION: Phillip Tanner and Brett Clements met in 1982 and a year later, they both set up their own television production company, A Couple 'A Cowboys. They developed a pilot and took it to Village Roadshow, who within 24 hours signed a marketing and distribution agreement. Nightmare was released in September 1991. In Europe, the game was renamed to Atmosfear to avoid legal issues with the name Nightmare, which was already taken. On the game's release, a marketing campaign was launched with advertising appearing on television and in cinemas. Clements and Tanner sold the two millionth board game during the 1993 Christmas period. The game was popular in Australia, leading to sold out "dance parties" and a number of advertising deals, including one with Pepsi. A song and a music video were also created for the game.
EXPANSIONS: Following the release of Nightmare, four game expansions was announced but only three was released. Each expansion comes with a new tape and new time and fate cards, with a different character hosting each new tape. Nightmare II is hosted by Baron Samedi released in 1992. Nightmare III is hosted by Anne de Chantraine released in 1993. Nightmare IV is hosted by Elizabeth Bathory released in 1994. The game's fourth expansion was going to be released in 1995, but faced with declining sales of the series, it was cancelled and replaced by The Harbingers.
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VHS MOVIE REVIEW : ROBOWAR (1988)
From mrgablesreality.blogspot.com
Do you like the movie Predator? Do you like Robots? Would you rather Predator had more robots and worse actors? Well then you are in luck my friend, this is ROBOWAR!
Robowar is a hands down carbon copy of Schwarzenegger's Predator. So much so that I was taking notes while watching it noting similarities. I'm sure if Predator was a person and had a little chat with Robowar, Predator would be all like, "Robowar, what the fuck? Why did you copy me?" and Robowar would say something like, "We didn't copy you, there's a robot in our movie. There's no fucking robots in Predator," to which Predator would punch Robowar in the face and leave the room.
- A group of elite forces enters the jungle to go after some guerrillas.
- They keep encountering random skinned corpses in the jungle, sometimes in the trees.
- When they get to the guerrilla camp they shoot everyone there and then encounter the Predator, err Robot.
- The Robot has a robovision very similar to the heat vision in Predator.
- They frequently refer to the robot as "The Hunter".
- At one point everyone fires wildly into the jungle and then some dude checks it out. When he comes back he says, "There's no blood, there's no body, there's no traces at all. We didn't hit a damn thing!"
- Instead of there being, "One Ugly Motherfucker" we get BAMs or "Bad Ass Motherfuckers"
- The Robot has wrist mounted weapons. But it's a laser so its different.
- And the lead dude leaps from a cliffside in front of a waterfall EXACTLY the same way Arnie does it in Predator.
I just want you to know right now that I'm so dedicated to THIS BLOG and BAD MOVIES that I sat through a 9 part VHS transfer on YouTube for this review. That's how much I care about you internet. (to some of you that's either hard-fucking-core or really-fucking-stupid. I call it the Gable way)
Where do I begin with this review? I think the writer. The story from Robowar comes from the same mastermind that wrote and directed TROLL 2, Claudio Fragrasso. Right there from seeing his name in the opening credits I knew I was in for a shitstorm. Granted he didn't direct this movie but you'd never know it. Actually he was running around as "The Hunter". He had to have been kind of "suggesting" ways of shooting scenes to the real director of this movie, Bruno Mattei. He must have been so ashamed to have been apart of this piece of shit that he credited himself with the name Vincent Dawn. That's fucking amazing.
If you're as brave as me and have to watch this I'll let you know what you're getting into. Yes it is a Predator rip-off but I figure at least half the movie is just shots of guys walking through the jungle with electro music playing. (watch that at the 1:40 mark) They really did TRY to make some effort to make it exciting but in the end its just a bunch of dudes walking through the jungle. To the next scene in the script. Also, the characters keep randomly walking off screen, presumably attempting to escape the movie, but they kept getting pulled back into the story and forced to walk through the jungle to their next scene. It's just horrible.
So eventually this movie ends like all bad movies do...helplessly. They spent 80 minutes progressing the story and throwing in fight scenes and some explosions BUT THEY FORGET TO KILL ANYONE! So they just start offing guys left and right. Please, Please watch part 6 on YouTube. Fast forward to the 8:20 mark where they are crossing the river and the guy gets pulled away...by something, it may have the Robot or he may have been trying to escape the movie again...but its so ball slappingly hilarious that I had to watch it 5 times in a row. (much to my balls' protest) I was hoping to capture the magic of the scene with a screenshot but it just doesn't do it any justice.
But anyway, they eventually come up with a plan to destroy the robot but there's still too many characters alive. So one goes out to try and reason with it, or kill it. But he epic fails and is killed. So another dude ventures out to try the same thing and is met with the same fate as the first guy. BAM problem solved, now we have the perfect amount of people left to finish this damn movie. Let's do this thing.
So they go to some convenient location in the jungle. There conveniently happens to be the right amount of chemicals in this place to make napalm. It's also quite convenient that the lady mixing them, the helpless blonde female, has a degree in chemistry and knows how to make napalm. And they are given enough time to put it all into a jug to blow up the building as the Robot enters it. Convenient.
BUT WAIT! There's more! The inevitable and always predictable twist ending. It's still alive and then they blow it up for real. THANK GOD IT'S OVER.
Then the end credits roll...EXACTLY LIKE PREDATOR's! You see a snippet of the characters and then their names. Who Gives A Fuck as Sgt. Dumbass. Etc.
This movie was worth it when they set up a parameter, like the pig scene in Predator, and the Robot comes walking in tripping mines and tearing shit up and one of the elite guys says, "The mines! He stepped on them like they were dogshit!" Brilliant, *claps hands*, something I can leave this movie with.
I don't recommend this to anyone. It is laughably bad..err..sad. It's just a horrible attempt and ultimately embarrassing for everyone involved. Cast, crew, audience. It's kind of like getting drunk and nailing a fat chick after bar close. It was ok to let that happen once and you may have even liked it a little but nobody needs to know about it.
Except when I do it.
And now some random screenshots for your enjoyment. See if you can tell what part of Predator they're ripping off.
VHS MOVIE REVIEW : RITUALS
From classic-horror.com
It's rare, but you'd better believe it exists: a blatant rip-off that's actually better than its source material. The film in this case is Rituals, and the source is Deliverance. Shot on location in the Northern Ontario bush, Rituals follows five vacationing doctors on an extended wilderness hike. They're targeted by an unseen madman who begins by pulling a few nasty pranks, then ups the ante to murder. As the atrocities pile up, the victims slowly begin to figure out their assailant's bizarre motive.
The film is considerably more violent than Deliverance, which is appropriate since Deliverance is basically an action film (albeit a pretty dark one) whereas Rituals is straight-up horror. Despite the gruesome violence, however, this is a heavily character-driven horror film (something we never seem to get enough of), and all the performances are superb. Holbrook in particular is (typically) impressive as Harry, a bitter cynic who's fighting desperately to survive while fighting even harder against being degraded.
I can't help but wonder if Daniel Myrick and Eduardo Sanchez didn't watch this one before embarking on The Blair Witch Project; besides the obvious city-folk-lost-in-the-woods motif, much of the tension in Rituals derives from conflicts between the characters. These are old friends with a lot of old scars and resentments that get closer to the surface as their situation becomes more dire.
Rituals was relased with little fanfare in 1981, played largely at the bottom of the bill at drive-ins and released on vid with even less fanfare a short while later. It couldn't be described as a genuine rarity, but it's not that easy to find, either. The VHS copy I tracked down last year looks and sounds like a bootleg, although the boxcover looks legit. This is precisely the kind of overlooked gem that needs to be remastered and re-released to find the audience it deserves. Are you listening, Anchor Bay?
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