OUR GOAL AT VHS WASTELAND IS TO PROVIDE YOU WITH THE STRANGEST AND MOST HARD TO FIND VHS COVERS IN HISTORY. BUT WE CAN'T DO IT ALONE. BELOW IS A LIST OF THE GENEROUS MEN AND WOMEN WHO CONTRIBUTE VHS SCANS TO THE SITE. IF YOU ARE INTERESTED IN BEING PART OF OUR TEAM, YOU CAN FIND INSTRUCTIONS AND TEMPLATE FILES HERE AND YOU CAN CONTACT JAMES GILKS BY CLICKING HERE. WE HOPE TO HEAR FROM YOU SOON.
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Hello and welcome to VHS Wasteland! VHS WASTELAND is your home for high resolution scans of rare, strange, and forgotten vhs covers. Each of these bizarre gems is scanned at 200 dpi. Our staff of over 40 contributors (and more added all the time) scans and posts between 15-30 new covers every day along with reviews, trailers and much more! So bookmark our homepage and check the site often! Simply click on the thumbnail of any vhs cover to download the full high res format. We'd also love submissions from you. If you have a vhs that is weird or rare, you can find info on what we are looking for here.
FREE PUPPIES: Want to help us out? An easy way to do so without any real effort on your part at all is to make this page your home page. It would give us more hits and help bring in a few precious pennies in ad space. Come on, do it now. Why are you not doing it? What, do you hate us or something? Do it and we'll be your best friend... And we'll give you a puppy. Legal disclaimer: the staff of vhs wasteland has no intentions of giving you a puppy. Are you not doing it because you don't know how? Here's a link that explains how to do it. There now you have no excuse. Do it now. Oh, and also be sure to check out our new online store and get yourself some great vhs wasteland merchandise. Come on... We'll give you a puppy. Dang it, why haven't you made this your homepage yet? You used to be cool man.
Also, why not visit our parent sites (madhatterdesign.net and serialkillercalendar.com). They have nothing to do with vhs covers but i think you might be pleasantly surprised by what you find. Or not. I don't know you. Maybe your not surprised by anything. Maybe your the kind of guy that sees a cow fall out of the sky and explode like a piñata and your all like "huh, that was weird." man. What's wrong with you anyway? Jeez. Some people.
OUR WISH LIST: Our wish list: we are always looking for new movie reviewers and vhs contributors to join our vhs wasteland team. If you have something strange or rare you, we would love to include it on the site. You would, of course, get full credit for your contribution and be added to our ever growing staff page. Some of the titles we are looking for right now include (but are in no way limited to) "dancing grannies" "bambi meets godzilla" and any kind of insane religious vhs. You can click here for instructions on how to scan and submit these covers or, if you are the coolest person ever and want us to promote the crap out of you (or your website) you can mail us the actual vhs tape to add to our collection. Either way, contact us for more info!
FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
TWICE DEAD
FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
THE MASK ANIMATED SERIES : BABYS WILD RIDE
FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
A LIZARD IN WOMANS SKIN
FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
GODS BLOODY ACRE
FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
INSPECTOR GADGET : THE CAPEMAN COMETH
FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
THE FINAL TERROR
FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
THE DANGEROUS BROTHERS PRESENT WORLD OF DANGER
FEBRUARY 19 VHS TECHNICAL DETAILS : HI-FI AUDIO SYSTEM
Around 1985, JVC added Hi-Fi audio to VHS (in response to Betamax's introduction of Beta Hi-Fi.) Both VHS Hi-Fi and Betamax Hi-Fi delivered flat full-range frequency response (20 Hz to 20 kHz), excellent 70 dB signal-to-noise ratio (in consumer space, second only to the compact disc), dynamic range of 90 dB, and studio-grade channel separation (more than 70dB). VHS Hi-Fi audio is achieved by using audio frequency modulation (AFM), recording each of the 2 stereo channels (L, R) on a frequency-modulated carrier and embedding the modulated audio signal pair into the video signal. To avoid crosstalk and interference from the primary video carrier, VHS's implementation of AFM relied on a form of magnetic recording called depth multiplexing. The modulated audio carrier pair was placed under the luminance carrier (below 1.6 MHz), and recorded first. Subsequently, the video head erases and re-records the video signal over the same tape surface, but video signal's higher center frequency results in a shallower magnetization of the tape, allowing both the video and residual AFM audio signal to coexist on tape. (PAL versions of Beta Hi-Fi use this same technique). During playback, VHS Hi-Fi recovers the depth-recorded AFM signal by subtracting the audio head's signal (which contains the AFM signal contaminated by a weak image of the video signal) from the video head's signal (which contains only the video signal), then demodulates the left and right audio channels from their respective frequency carriers. The end result of the complex process was audio of outstanding fidelity, which was uniformly solid across all tape-speeds (EP or SP.) Since JVC had gone through the complexity of ensuring Hi-Fi's backward compatibility with non-Hi-Fi VCRs, virtually all studio home video releases contained Hi-Fi audiotracks (in addition to the linear audio track). Under normal circumstances, all Hi-Fi VHS VCRs will record Hi-Fi and linear audio simultaneously to ensure compatibility with VCRs without Hi-Fi playback, though only early, high-end Hi-Fi machines provided linear stereo compatibility. Due to the path followed by the video and Hi-Fi audio heads being striped and discontinuous- unlike that of the linear audio track- head-switching is required to provide a continuous audio signal. Misalignments may lead to imperfect joining of the signal, resulting in low-pitched buzzing. The sound quality of Hi-Fi VHS stereo is comparable to the quality of CD audio, particularly when recordings were made on high-end or professional VHS machines that have a manual audio recording level control. This high quality compared to other consumer audio recording formats such as compact cassette attracted the attention of amateur and hobbyist recording artists. Home recording enthusiasts occasionally recorded high quality stereo mixdowns and master recordings from multitrack audio tape onto consumer-level Hi-Fi VCRs. However, because the VHS Hi-Fi recording process is intertwined with the VCR's video-recording function, advanced editing functions such as audio-only or video-only dubbing are impossible. Some VHS decks also had a "simulcast" switch, allowing users to record an external audio input along with off-air pictures. Some televised concerts offered a stereo simulcast soundtrack on FM radio and as such, events like Live Aid were recorded by thousands of people with a full stereo soundtrack despite the fact that stereo TV broadcasts were some years off (especially in regions that adopted NICAM). The considerable complexity and additional hardware limited VHS Hi-Fi to high-end decks for many years. While linear stereo all but disappeared from home VHS decks, it was not until the 1990s that Hi-Fi became a more common feature on VHS decks. Even then, most customers were unaware of its significance and merely enjoyed the better audio performance of the newer decks.
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