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HELLO AND WELCOME TO VHS WASTELAND, YOUR HOME FOR HIGH RESOLUTION SCANS OF RARE, STRANGE, AND FORGOTTEN VHS COVERS. EACH OF THESE BIZARRE GEMS IS SCANNED AT 200 DPI. SIMPLY CLICK ON THE THUMBNAIL OF ANY VHS COVER TO DOWNLOAD THE FULL HIGH RES FORMAT. WE WILL BE ADDING A NEW COVER DAILY, SO BOOKMARK THIS SITE AND CHECK BACK OFTEN. WE'D ALSO LOVE SUBMISSIONS FROM YOU. IF YOU HAVE A VHS THAT IS WEIRD OR RARE, JUST EMAIL US AT MADHATTERDESIGN@GMAIL.COM. REMEMBER TO SCAN THE FRONT, BACK AND SIDES OF THE VHS AT 300 DPI. WE WON'T ACCEPT LOW RESOLUTION FILES. WHILE YOU'RE HERE, GRABBING OUR AWESOME FREE VHS COVERS, FEEL FREE TO CLICK THE "DONATE" BUTTON ON THE LEFT. IF ENOUGH PEOPLE SEND US SOME CASH, WE MIGHT BE TEMPTED TO KEEP BRINGING YOU THE COOLEST, HIGH RES VHS COVERS ON THE NET. BUT IF YOU GREEDY, COVER GRABBING... I MEAN... YOU WONDERFUL VISITORS TO OUR SITE, DON'T COUGH UP A DONATION, MAYBE WE'LL JUST FIND SOMETHING BETTER TO DO WITH OUR TIME. LIKE GO MAKE NACHOS. MMMMM... NACHOS. SO HELP A BROTHA OUT AND DONATE A LITTLE DOUGH TO THE CAUSE.

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EXCLUSIVE JEFFREY DAHMER T-SHIRT
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SERIALKILLERCALENDAR.COM IS PROUD TO INTRODUCE THE FIRST IN A SERIES OF LIMITED EDITION T-SHIRTS. THIS STYLISH PIECE OF APPAREL FEATURES MILWAUKEE’S FAVORITE PSYCHOPATHIC CANNIBAL, JEFFREY DAHMER. THESE COME IN SMALL, MEDIUM, LARGE AND EXTRA LARGE. YOU CAN ALSO CHOOSE ANY COLOR SHIRT YOU WANT. THIS IS THE PERFECT GIFT FOR THE GHOUL THAT HAS EVERYTHING. GET THEM WHILE THEY LAST.


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SERIAL KILLER CALENDAR: THIS DAY IN SERIAL KILLER HISTORY BOOK
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This perfect bound Serial Killer Calendar book includes detailed facts and trivia about serial killers for every day of the year. It also includes the best true crime artwork from around the world.

Want to know what happened today in serial killer history? Its all in this one massive collection of true crime information. This is the perfect gift for any fan of history, murderabelia or the macabre.



 
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FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
TWICE DEAD

TWICE DEAD


FEBRUARY 19 2011 VHS COVER SCAN - CLICK FOR HIGH RES VERSION
THE MASK ANIMATED SERIES : BABYS WILD RIDE

THE MASK ANIMATED SERIES : BABYS WILD RIDE


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A LIZARD IN WOMANS SKIN

A LIZARD IN WOMANS SKIN


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GODS BLOODY ACRE

GODS BLOODY ACRE


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INSPECTOR GADGET : THE CAPEMAN COMETH

INSPECTOR GADGET : THE CAPEMAN COMETH


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THE FINAL TERROR

THE FINAL TERROR


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THE DANGEROUS BROTHERS PRESENT WORLD OF DANGER

THE DANGEROUS BROTHERS PRESENT WORLD OF DANGER


VHS WASTELAND POSTER OF THE DAY

FEBRUARY 19 VHS TECHNICAL DETAILS : HI-FI AUDIO SYSTEM

Around 1985, JVC added Hi-Fi audio to VHS (in response to Betamax's introduction of Beta Hi-Fi.) Both VHS Hi-Fi and Betamax Hi-Fi delivered flat full-range frequency response (20 Hz to 20 kHz), excellent 70 dB signal-to-noise ratio (in consumer space, second only to the compact disc), dynamic range of 90 dB, and studio-grade channel separation (more than 70dB). VHS Hi-Fi audio is achieved by using audio frequency modulation (AFM), recording each of the 2 stereo channels (L, R) on a frequency-modulated carrier and embedding the modulated audio signal pair into the video signal. To avoid crosstalk and interference from the primary video carrier, VHS's implementation of AFM relied on a form of magnetic recording called depth multiplexing. The modulated audio carrier pair was placed under the luminance carrier (below 1.6 MHz), and recorded first. Subsequently, the video head erases and re-records the video signal over the same tape surface, but video signal's higher center frequency results in a shallower magnetization of the tape, allowing both the video and residual AFM audio signal to coexist on tape. (PAL versions of Beta Hi-Fi use this same technique). During playback, VHS Hi-Fi recovers the depth-recorded AFM signal by subtracting the audio head's signal (which contains the AFM signal contaminated by a weak image of the video signal) from the video head's signal (which contains only the video signal), then demodulates the left and right audio channels from their respective frequency carriers. The end result of the complex process was audio of outstanding fidelity, which was uniformly solid across all tape-speeds (EP or SP.) Since JVC had gone through the complexity of ensuring Hi-Fi's backward compatibility with non-Hi-Fi VCRs, virtually all studio home video releases contained Hi-Fi audiotracks (in addition to the linear audio track). Under normal circumstances, all Hi-Fi VHS VCRs will record Hi-Fi and linear audio simultaneously to ensure compatibility with VCRs without Hi-Fi playback, though only early, high-end Hi-Fi machines provided linear stereo compatibility. Due to the path followed by the video and Hi-Fi audio heads being striped and discontinuous- unlike that of the linear audio track- head-switching is required to provide a continuous audio signal. Misalignments may lead to imperfect joining of the signal, resulting in low-pitched buzzing. The sound quality of Hi-Fi VHS stereo is comparable to the quality of CD audio, particularly when recordings were made on high-end or professional VHS machines that have a manual audio recording level control. This high quality compared to other consumer audio recording formats such as compact cassette attracted the attention of amateur and hobbyist recording artists. Home recording enthusiasts occasionally recorded high quality stereo mixdowns and master recordings from multitrack audio tape onto consumer-level Hi-Fi VCRs. However, because the VHS Hi-Fi recording process is intertwined with the VCR's video-recording function, advanced editing functions such as audio-only or video-only dubbing are impossible. Some VHS decks also had a "simulcast" switch, allowing users to record an external audio input along with off-air pictures. Some televised concerts offered a stereo simulcast soundtrack on FM radio and as such, events like Live Aid were recorded by thousands of people with a full stereo soundtrack despite the fact that stereo TV broadcasts were some years off (especially in regions that adopted NICAM). The considerable complexity and additional hardware limited VHS Hi-Fi to high-end decks for many years. While linear stereo all but disappeared from home VHS decks, it was not until the 1990s that Hi-Fi became a more common feature on VHS decks. Even then, most customers were unaware of its significance and merely enjoyed the better audio performance of the newer decks.

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